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Steve McQueen, Grenfell, 2019
Steve McQueen, Grenfell, 2019 Steve Mcqueen, Grenfell, 2019, Installation view, Serpentine Galleries, London, England, 7 April–10 May 2023. Photo: Richard Ivey.

Steve McQueen

Grenfell, 2019
colour video, sound
24 minutes, 2 seconds
copyright the artist
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In December 2017 Steve McQueen made an artwork in response to the fire that took place earlier that year on 14 June at Grenfell Tower, North Kensington, West London. 72 people...
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In December 2017 Steve McQueen made an artwork in response to the fire that took place earlier that year on 14 June at Grenfell Tower, North Kensington, West London. 72 people died in the tragedy. Filming the tower before it was covered with hoarding, McQueen sought to make a record: "I knew once the tower was covered up, it would start to leave people’s minds. I was determined that it never be forgotten."

Grenfell was presented at Serpentine South in April 2023, following a period of private viewings prioritising bereaved families and survivors. After its presentation at Serpentine, the work was placed in the care of Tate and the Museum of London’s collections.

Following the fire, a Government Inquiry was launched that was conducted in two phases. By the time of the exhibition at Serpentine, four years since the publication of the Phase One report, the recommendations were yet to be implemented. The findings of the second and final phase of the Inquiry are due to be reported in 2024. There is an ongoing criminal investigation.
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Literature

Sharpe, Christina, ‘Saturation, or, on Chromatic Freedom’, in Steve McQueen: Bass, ed. Donna De Salvo and Isabel Friedli (New York: Dia, and Munchenstein: Laurenz Foundation, Shcaulager, 2024), p. 131 ill.

Walker, Hamza and Steve McQueen, ‘Acts of Looking’, in Steve McQueen, ed. Vincente Todolí (Venice: Marsilio Editori, 2022), p. 138.

Gilroy, Paul, ‘Time and Terror Widdershins in the Torrid Zone’, in Steve McQueen, ed. Clara Kim (London: Tate Publishing, 2020), p. 23.

Walker, Hamza and Steve McQueen, ‘Acts of Looking’, in Steve McQueen, ed. Clara Kim (London: Tate Publishing, 2020), pp. 109–110.

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